• Film graphic
• Movie art

Retro graphic

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Film graphic

“At the moment there doesn’t seem to be any dedicated or specific modules in design courses that focus on graphic design in film,” says Mina. “I’m sure someone’s going to wake up to it soon and be smart and maybe build a module into the graphic design courses that bring people into the industry. But until that happens, Annie Atkins, known best for her work on Wes Anderson’s The Grand Budapest hotel, runs weekend workshops in Dublin.

In many parts of the job, things are simply what they are: company logo, a billboard, a newspaper, a tube of toothpaste, etc; and as the graphic artist, it is important to know when your designs will need to be the center of attention or need to blend into the background so as not to distract from something else going on. It’s a learning process for learning which materials work based on where filming will happen, for installation at a location, on set, or if the work will be going straight to a playback company or post-production. A simple rule is that bright whites and glossy surfaces make the job of the DP much harder, so it makes everything easier to avoid those unless specifically needed.

Here’s a simple one. If you want white on camera, your graphics have to be off-white or it will create hot spots on film. You learn as you go, and after 80 plus films, I’m still learning on how to make my graphics read better on film. Typically you have split seconds, if that, to communicate your ideas, so the graphics have to be absolutely clear. You can’t expect the audience to figure out your thoughts. What works in life almost gets lost on film unless it’s part of the story.

“At the moment there doesn’t seem to be any dedicated or specific modules in design courses that focus on graphic design in film,” says Mina. “I’m sure someone’s going to wake up to it soon and be smart and maybe build a module into the graphic design courses that bring people into the industry. But until that happens, Annie Atkins, known best for her work on Wes Anderson’s The Grand Budapest hotel, runs weekend workshops in Dublin.

In many parts of the job, things are simply what they are: company logo, a billboard, a newspaper, a tube of toothpaste, etc; and as the graphic artist, it is important to know when your designs will need to be the center of attention or need to blend into the background so as not to distract from something else going on. It’s a learning process for learning which materials work based on where filming will happen, for installation at a location, on set, or if the work will be going straight to a playback company or post-production. A simple rule is that bright whites and glossy surfaces make the job of the DP much harder, so it makes everything easier to avoid those unless specifically needed.

Movie art

Did you know that during the communist-era a lot of surreal movie posters were created in Poland, as an alternative to banned U.S. publicity material? Some are true works of art! Make sure to have a look at our section of classic Polish posters.

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Most people can appreciate the experience of going to the movies and being impacted by a work of creativity. Movies give us the opportunity to be captivated by a director’s imagination to tell an engrossing story. From comedy to drama to action to horror and more, movies have shaped the world. Art is a way to display the importance of your favorite movies to your world.